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Our team interviewed Baachy, who spoke on the inspiration behind this year’s Handi Ganduvaru, the creative process, and the challenges of bringing Maldivian folklore to life through immersive horror.

Revisiting the Shadows of Childhood

This year’s chapter draws directly from the folk tales many Maldivians heard growing up — those cautionary tales whispered in the dark, rich with myth and mystery. Visitors will encounter interpretations of legendary figures such as Foolhudhigu Handi, Maakunbe, and Safarukaidha, all recreated with an attention to detail that blends theatricality with local tradition.

Supernatural phenomena, including Magumathi Elhun and Vigani Erun also make appearances, drawing on the same cultural lore that once animated island nights. The return of Magumathi Elhun, in particular, speaks to its popularity in previous editions and the team’s responsiveness to audience reception.

Innovation in Fear

While the spirit of Handi Ganduvaru remains rooted in oral tradition, its presentation is anything but static. Chapter Three marks a step forward in technical execution, with the introduction of animatronics lending a new dimension to the horror experience — most notably in scenes involving eerily lifelike body bags.

The scare level has also been calibrated to suit a wider audience. Early evening sessions feature fewer characters and a gentler tone, aimed at families with young children. After dark, however, the space transforms — more actors take the stage, and the experience becomes considerably more intense.

From Concept to Completion

Bringing such a project to life in a short timeframe presented a familiar set of logistical challenges. According to Baachy, sourcing materials and securing financial backing were among the most significant obstacles. Even so, this year’s chapter benefited from crucial support provided by the Business Centre Corporation (BCC) and the Ministry of Economic Development and Trade — a collaboration he credits for enabling the project’s timely execution.

The final setup began just six days before the Expo opened to the public. In that time, the team worked continuously on-site, building upon several weeks of advance preparation that included prop-making and design work. The entire process, from initial planning to final installation, was completed in roughly two to three weeks.

Looking Ahead

With Chapter Three now drawing crowds, Baachy is already looking to the future. He hopes to present the horror house again before the end of the year — possibly even twice — with one instalment planned possibly for the Eid holidays. There are also ambitions to take Handi Ganduvaru beyond the capital, to islands and other cities across the country.

The call is open: the team is prepared to travel, and eager to partner with local councils or organisations interested in hosting the experience.

Handi Ganduvaru may terrify its guests, but at its core, it performs a gentler cultural service — preserving and reimagining stories that have long shaped the Maldivian imagination. With each chapter, it deepens the intersection between heritage and horror, offering not just a scare, but a connection to the past.

Maldives Expo 2025 is open until May 31st.